02L > Outside Standing Level
ways through multimedial installations about senses and perception

Description

Senses, stimulated and excited, lead to the ecstasy of perception.
Ecstasy is the conquer of the highest state.
Ecstasy means Outside Standing Level.
02L - State in the outside.

Thema:
Erzeugung einer Entwurfsarbeit zwischen POLITECNICO di MILANO, BAUHAUS UNIVERSITÄT WEIMAR, MUSIKHOCHSCHULE FRANZ LISZT und GIUBILEO 2000.

Unterteilt in:
1. Seminare
2. Industrial Arkitektural Design
3. Video und Multimedia
4. Installationen
5. Vorstellung
6. Performance
7. Party

Konzept:
Kulturelles Vergleichniss im Bezug auf Kunst und Industrie, durchdie Realisierung avantgardistischer entwürfe, um neue kulturelle Ebenen sich begegnen zu lassen, zwischen Designer, Künstler, Musiker, Komputer-arbeiter, jeder Art Kreativer Leute verschiedener Herkömmlichkeit, Institut, u.A..

Strukturlos VS Strukturlos.
Reply the project’s idea with a conceptual product.
Los : O unit = O unit : the beginning Adamo and Eva 99

This is the Garden of Eden and they are Adamo& Eva99. They were borned in the modern society and they didn’t make any sin yet.
This is their paradise.
Eva is a schummgummy sofa girl and she had lost her stukture, the head and she got an identity code number.
She is really an artistic-industrial person Adamo is totally industrial and he is reduced to the essence.
O strukture.
O phisic.
He is a code with the balls.
Primitive and industrial at the same time.
He is a wild code-number.
The apple is permutated in a TV, metafora of the modern ways of seduction.
Adamo&Eva 99 are watching the TV frame, looking for a Mega-Mix Compilation ( Arturo ) of video-sound samples, in order to reduce to O.
To the essence.
To the instinct.

The strukturlos idea's reply

Habitat is a material subject, composed by still and removable objects ( such as hardwares, tools to prepare, spaces to conserve food to feed and assistance the children, techinical machines to control the lighing level of the enviroment, computers for the entertainment and comunication, furnitures and so on), but it is at the same time composed by a functional enviroment aspect ( like dining room, living room, bedroom, bathroom ecc).
The daily house routine is in directly comunication with this object-space, like a way to re-configurate ourself in this political enviroment, with this internal habitat-low, day by day much in relationship with the wild technology.
Automation, robotized and the informatical knowledge of the object-system are becoming a dry-sterile design process. Technology is running on the vein of those objects, numbed by the form and the function meanning.
Our intenction is give own life to those grey technological objects, to those severe machine, building up a zoo-techno morphing habitat. Throught this hestetic process, design is becoming the main interface for object’s function, for the interaction with this enviroment and this zoo-objects.
The idea of furnished the house in the classical way, gives space and time to develop one nomad-design.
In this sense, the organical substance of the object will get a zoomorphing appearance, in order to create a percettive interface among form and function.
At least, we will move a design process, where the soul of those zoo-objects is technology, the body is design and the movement is the function.